Hailed for his “broad musicianship and superb technical mastery” (The American Organist), Michael Unger is a multiple award-winning performer who appears as a soloist, orchestral and chamber musician.
"...anchored the ensemble with both sensitivity and authority..."
(Cincinnati Business Courier)
"...playing was seamless, providing both subtlety of color
and thunderous power..."
(Cincinnati Business Courier)
Hailed for his “broad musicianship and superb technical mastery” (The American Organist), Canadian-born MICHAEL UNGER is a multiple award-winning performer who appears as a soloist, orchestral and chamber musician in North America, Europe, Japan, and South Korea. Since 2013, he is Associate Professor of Organ and Harpsichord at the University of Cincinnati College-Conservatory of Music. He is a First Prize and Audience Prize winner of the National Young Artists’ Competition of the American Guild of Organists (NYACOP), a First Prize winner of the International Organ Competition Musashino-Tokyo, and a Second Prize and Audience Award winner of the International Schnitger Organ Competition on the historic organs of Alkmaar, the Netherlands. Recent solo recitals include performances for national conventions of the American Guild of Organists, Organ Historical Society, and Historical Keyboard Society of North America; ‘Five Continents – Five Organists’ Festival at Sejong Center, Seoul, South Korea; International Festival of Organ, Choral and Chamber Music Gdańsk, Poland; Internationale Orgelwoche Nürnberg – Musica Sacra; and numerous international and regional recital series. In 2018, he premiered two Preludes and Fugues by American composer Henry Martin for the national convention of the American Guild of Organists in Kansas City, Missouri, and in 2023, he premiered the organ version of Crown of Hummingbirds by American composer Julia Adolphe with the Cincinnati May Festival. Recent orchestral appearances include Camille Saint-Saëns’ Symphony No. 3 “Organ”, and Gustav Mahler’s Symphony No. 8 “Symphony of a Thousand”, with the Cincinnati Symphony Orchestra. Other organ and harpsichord collaborations include Cincinnati Opera, Cincinnati Chamber Orchestra, Vocal Arts Ensemble, Collegium Cincinnati, Catacoustic Consort, and Publick Musick, with repertoire that includes the major works of J.S. Bach, namely Mass in B Minor, St. Matthew Passion, St. John Passion, Christmas Oratorio, Magnificat, the complete Brandenburg Concertos and Sonatas for Viola da Gamba and Harpsichord. He received favorable international reviews for his debut solo recordings under the Naxos and Pro Organo labels, and his performances have been broadcast on North American and European radio, including syndicated programs Pipedreams and With Heart and Voice. He was a guest faculty at the 2015 and 2016 Smarano International Academies in Trentino, Italy, the 2019 Colorado State University Organ Week, and has given masterclasses at several North American universities and conservatories, including residencies with cellist Adriana Contino.
Michael Unger holds a Doctorate of Musical Arts with Performers’ Certificate from the Eastman School of Music, where he was a student and teaching assistant of David Higgs and William Porter, and recipient of the school’s Jerald C. Graue Musicology Fellowship. He is also a Gold Medal graduate of the University of Western Ontario, where he studied with Larry Cortner and Sandra Mangsen, and his post-graduate teachers include Roberta Gary in Cincinnati and Jean-Baptiste Robin in Versailles, France. Formerly the Director of Music at the Lutheran Church of the Incarnate Word in Rochester, New York, he currently serves as organist of Cincinnati’s historic Isaac M. Wise – Plum Street Temple, and is a volunteer chorister in the Choir of Christ Church Cathedral (Episcopal), Cincinnati. He is currently Dean of the Cincinnati Chapter of the American Guild of Organists. Highlights as an amateur hiking enthusiast include Mount Le Conte, Angels Landing, and a half-Tour de Mont Blanc.
“…Unger’s playing was seamless, providing both subtlety of color and thunderous power… The orchestra’s musicians responded with playing that was precise and refined. At its conclusion, the audience stood in extended ovations for many minutes.”
– Janelle Gelfand, Cincinnati Business Courier, May 2023,
Review of Camille Saint-Saëns, Symphony No. 3 “Organ”, with the Cincinnati Symphony Orchestra
“On the portative organ, Michael Unger anchored the ensemble with both sensitivity and authority.”
– Janelle Gelfand, Cincinnati Business Courier, March 2024,
Review of J.S. Bach, Mass in B Minor, with Cincinnati Vocal Arts Ensemble
“At the harpsichord, Michael Unger… enhanced the music with animated playing.”
– Janelle Gelfand, Cincinnati Business Courier, October 2021,
Review of Anna Meredith/Antonio Vivaldi, ANNO, with the Cincinnati Symphony Orchestra
“…broad musicianship and superb technical mastery… Unger’s performances are distinguished for their clarity, stylistic awareness, meticulous attention to phrasing and articulation, disciplined rhythmic control that allows for appropriate ebb and flow, and transparency…”
– James Hildreth, The American Organist, December 2017,
Review of Naxos Recording, Michael Unger: Organ Recital
“All three [finalists] respond with individual musicality to the challenge of the final round, but there’s a clear winner of this round, whose interpretation, technical ability and strength of communication are unequivocal. Canadian Michael Unger delivers by far the most convincing performance of the evening and wins [2nd prize and] the audience prize.”
– Choir and Organ Magazine, September/October 2009,
Review of Final Round of 2009 Schnitger International Organ Competition (Alkmaar, the Netherlands)
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